Catalogue : Details
| Sarah Weiss, Babak Nikzat (Eds.)Rethinking Musical Mode | |||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| ISBN: | 978-3-8440-9887-7 | |||||||||||||||||||||||||||||||||||||||
| Series: | Grazer Beiträge zur Ethnomusikologie/Graz Studies in Ethnomusicology Herausgeber: Univ.Prof. Dr.phil. Sarah Weiss and Dr.phil. Assoc. Prof. Kendra Stepputat Graz | |||||||||||||||||||||||||||||||||||||||
| Volume: | 30 | |||||||||||||||||||||||||||||||||||||||
| Keywords: | Musical mode; performance practices; ethnomusicology; modal theory; tacit knowledge; aesthetics; improvisation; decolonial analysis | |||||||||||||||||||||||||||||||||||||||
| Type of publication: | Reference books | |||||||||||||||||||||||||||||||||||||||
| Language: | English | |||||||||||||||||||||||||||||||||||||||
| Pages: | 212 pages | |||||||||||||||||||||||||||||||||||||||
| Figures: | 43 figures | |||||||||||||||||||||||||||||||||||||||
| Price: | 0,00 € | |||||||||||||||||||||||||||||||||||||||
| Published: | March 2025 | |||||||||||||||||||||||||||||||||||||||
| Print-Version: | 978-3-8440-9793-1 | |||||||||||||||||||||||||||||||||||||||
| DOI: | 10.2370/9783844098877 (Online document) | |||||||||||||||||||||||||||||||||||||||
| Download: | Available PDF-Files for this title: You need the Adobe Reader, to open the files. Here you get help and information, for the download.
User settings for registered users You can change your address here or download your paid documents again.
| |||||||||||||||||||||||||||||||||||||||
| Recommendation: | You want to recommend this title? | |||||||||||||||||||||||||||||||||||||||
| Link: | You want to link this page? Click here. | |||||||||||||||||||||||||||||||||||||||
| Abstract: | Rethinking Musical Mode revisits and expands Harold Powers' seminal conceptualization of musical mode as a continuum between "scale" and "fixed melody," addressing the gap between theoretical frameworks and performance realities across global musical traditions. This volume centers performer perspectives, exploring how musicians theorize, practice, and adapt modal systems in diverse cultural contexts. Originating from the 2021 symposium at the Institute for Ethnomusicology, University of Music and Performing Arts Graz, the contributions critically engage questions of aesthetics, tacit knowledge, and the interplay between theory and practice. By integrating insights from performers, scholars, and practitioners, this collection offers a fresh dialogue on the dynamic intersections of modal theory and practice. | |||||||||||||||||||||||||||||||||||||||
| » more titles from Sarah Weiss, Babak Nikzat (Eds.) | ||||||||||||||||||||||||||||||||||||||||
